The perfect marriage of post-punk guitar work and minimal synth melodies.
Thursday, April 11, 2013
Ruth - Polaroïd/Roman/Photo
One of my favorites: a gorgeous, understated piece of genuine French coldwave with lovely cover art. It retains the naïve and tech-inspired distance of typical minimal synth, while being provocative and coquettish. The album tells the story of a boy with a Polaroid, infatuated with a young woman. (I can't resist linking to the stunning NSFW back cover photo). I've been craving a vinyl copy of this for a long time, needless to say.
Minimal Synth Megaposts
Hello there. Over the winter I amassed a large number of minimal synth releases, with help from stellar blogs like Systems of Romance and Kentucky Fried Wave. So before it turns into full-on summer and I start to listen solely to Western MA guitar-based bands, I am going to post my coldwave/minimal synth favorites here, starting with Linea Aspera's self-titled debut album.
LA is, in my opinion, the best new coldwave band out there. Sadly, listening to this album does not (but almost could) count towards that required college science seminar.
LA is, in my opinion, the best new coldwave band out there. Sadly, listening to this album does not (but almost could) count towards that required college science seminar.
Monday, April 8, 2013
Siglo XX - Answer
Tuesday, April 2, 2013
Antonin Artaud - Pour en Finir avec le Jugement de Dieu
There seems to be a dearth of spoken-word downloads on the interwebs lately, so hear you go. Because the voice actors in this recording are so evocative, it's pleasing to listen to regardless of whether you understand or agree with Artaud, (he's a bit nutters).
"After the Second World War ended, French radio opened up in a big way to some of the most challenging artists, suppressed in the Nazi-controlled Vichy regime. [Antonin] Artaud was slated, and between November 22 and 29, 1947, recorded his valedictory work, the radiophonic play Pour en finir avec le jugement de dieu (To Have Done or To Make an End of the Judgment of God) for the ORTF. Artaud proclaimed it "at last, a first rendering of the theater of cruelty," but never heard his work broadcast over the air as the program was banned and not broadcast until the late '70s; the perpetually impoverished Artaud died, sitting at the foot of his bed with a shoe in his hand, on March 4, 1948." - via AllMusic
"After the Second World War ended, French radio opened up in a big way to some of the most challenging artists, suppressed in the Nazi-controlled Vichy regime. [Antonin] Artaud was slated, and between November 22 and 29, 1947, recorded his valedictory work, the radiophonic play Pour en finir avec le jugement de dieu (To Have Done or To Make an End of the Judgment of God) for the ORTF. Artaud proclaimed it "at last, a first rendering of the theater of cruelty," but never heard his work broadcast over the air as the program was banned and not broadcast until the late '70s; the perpetually impoverished Artaud died, sitting at the foot of his bed with a shoe in his hand, on March 4, 1948." - via AllMusic
Friday, March 8, 2013
Haus Arafna - New York Rhapsody
A contemporary minimal synth release that is neither comically macabre or overtly "dancey."
Tuxedomoon - Desire
Tuxedomoon takes cues from White Light/Heat (in particular, "Sister Ray" and "Lady Godiva's Operation"), Taj Mahal Travellers, The Comsat Angels, and Swans. There are a few weak points in the album, namely the last few, dwindling minutes of "East" (of which the first half is excellent), and a touch of overexposure to Winston Tong's dirge-like vocals. However, the absolutely killer basslines and totally refreshing use of a saxophone is more than enough to make this record memorable, and utterly sophisticated.
Sunday, February 17, 2013
Songs Of The Humpback Whale - Dr. Roger Payne, 1970
"The rare recordings are from a 'Bel Canto' era of whale singing. Even though Humpbacks change their songs every year, none from recent years has been so beautiful as these they sang in the 1960's."
... can you argue with that?
Wednesday, February 6, 2013
Recordings of Shortwave Numbers Stations - The Conet Project
This isn't much in the way of music, more a way to spend a few hours (or a whole day) sifting through through the wealth of shortwave numbers recordings and the mythology surrounding them. I think the most incredible thing about these recordings is the fact that numbers stations are still owned and operated by different government agencies, notably Cherry Ripe (active until December 2009) and the Lincolnshire Poacher (active until July 2008). Shortwave transmissions continue to be a widely used form of covert communication given that one-pad systems are notoriously difficult to decipher and therefore there is no danger in broadcasting them publicly (assuming the key is completely randomized).
I uploaded Disc 1 and Disc 2, and maybe I will upload more, but metadata was a nightmare and there's more than enough material here for hours upon hours of conspiracy-theorizing.
While preparing to post this, I came across a Pitchfork article from 2012 announcing the anticipated reissue of these recordings. Evidently I'm not alone in my obsession with Cold War ephemera/espionage theories. Also, here's a good NPR segment on the topic, along with the Irdial website containing more information that you could ever want to absorb.
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